Abstract
Launched in 2005 as a platform for user-generated content (UGC), YouTube is one of the most popular websites in the world. In this article, I focus on the site’s use of “the view,” which I argue serves as a pervasive category enacted through the platform, in its information regimes and beyond. The view supports a myth of viewer intentionality and satisfaction and serves as the operational logic of the platform as a whole. It is a category in Durkheim’s sense, ordering practices and naturalizing hierarchies and inequalities. These hierarchies concern, and impact on, participation, financial compensation, visibility, and popularity. In making my claims, I demonstrate how the celebratory discourse around YouTube as an empowering tool that levels the media playing field was positively misguided. I make a plea for a critical reading of the view, which can enhance our understanding of the platform and its culture.
Original language | English |
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Pages (from-to) | 223-239 |
Number of pages | 17 |
Journal | Television and New Media |
Volume | 21 |
Issue number | 3 |
Early online date | 2019 |
DOIs | |
Publication status | Published - 2020 |
Keywords
- metrics
- YouTube
- views
- algorithms
- category
- information regimes