TY - JOUR
T1 - When Donald Trump Dropped the Bass
T2 - The Weaponization of Dubstep in Internet Trolling Strategies, 2011-2016
AU - Spencer, Edward Katrak
N1 - Publisher Copyright:
Copyright © The Author(s), 2025.
PY - 2025
Y1 - 2025
N2 - This article argues that in the age of social media, the affective power of music can dare listeners to become complicit with misogyny and right-wing populism. It investigates the weaponization of dubstep in internet trolling strategies by examining the genre's relationship with a type of user-generated content called 'Major League Gaming [MLG] Montage Parodies'. Mixing musical and audiovisual analysis with digital methods, the article considers the origins of MLG Montage Parodies and then investigates the content's development from 2011 to 2016. As a memetic timbral topic, the dubstep drop was initially deployed in MLG Montage Parodies as a form of pubescent power play to troll young male gamers. But then in 2014, it was redeployed as anti-feminist ammunition amid the toxic masculinity of #GamerGate. Finally, it was weaponized by alt-right trolls during the 2015-2016 'Great Meme War' that accompanied the US Presidential Race. The closing remarks reflect on the ethical, ontological, and disciplinary implications of the research and issue a call for memetic musical literacy.
AB - This article argues that in the age of social media, the affective power of music can dare listeners to become complicit with misogyny and right-wing populism. It investigates the weaponization of dubstep in internet trolling strategies by examining the genre's relationship with a type of user-generated content called 'Major League Gaming [MLG] Montage Parodies'. Mixing musical and audiovisual analysis with digital methods, the article considers the origins of MLG Montage Parodies and then investigates the content's development from 2011 to 2016. As a memetic timbral topic, the dubstep drop was initially deployed in MLG Montage Parodies as a form of pubescent power play to troll young male gamers. But then in 2014, it was redeployed as anti-feminist ammunition amid the toxic masculinity of #GamerGate. Finally, it was weaponized by alt-right trolls during the 2015-2016 'Great Meme War' that accompanied the US Presidential Race. The closing remarks reflect on the ethical, ontological, and disciplinary implications of the research and issue a call for memetic musical literacy.
UR - http://www.scopus.com/inward/record.url?scp=85216658874&partnerID=8YFLogxK
U2 - 10.1017/S1478572224000094
DO - 10.1017/S1478572224000094
M3 - Article
AN - SCOPUS:85216658874
SN - 1478-5722
VL - 22
SP - 107
EP - 129
JO - Twentieth-Century Music
JF - Twentieth-Century Music
IS - 1
ER -