Abstract
Werner Nekes was an experimental filmmaker and teacher who became a collector when he wanted to demonstrate the origins of basic principles of cinematic technologies-projection, the illusion of movement, representation of space, etc.-to his students. The goal of his collection was to document such principles rather than accumulating devices. Collecting was for him a theorydriven activity, and the numerous exhibitions that he organized were structured according to the ideas that he wanted to convey. He did not, however, seek recognition from academics. He was an erudite rather than a scholar, and he expressed his media historical views in films, in exhibitions and exhibition catalogs rather than in academic books or articles.
| Original language | English |
|---|---|
| Title of host publication | Collecting Cinema, Rewriting Film History |
| Subtitle of host publication | Between the Visible and the Invisible |
| Editors | André Habib, Louis Pelletier, Jean-Pierre Sirois-Trahan |
| Publisher | Taylor & Francis |
| Pages | 163-172 |
| Number of pages | 10 |
| ISBN (Electronic) | 9781040781401 |
| ISBN (Print) | 9789048565955 |
| DOIs | |
| Publication status | Published - 1 Oct 2025 |
Bibliographical note
Publisher Copyright:© The authors / Taylor & Francis Group 2025. All rights reserved.
Keywords
- Cinema
- Collection
- Media archaeology
- Media history
- Teaching