Werner Nekes: The Filmmaker as Collector and Model

Research output: Chapter in Book/Report/Conference proceedingChapterAcademicpeer-review

Abstract

Werner Nekes was an experimental filmmaker and teacher who became a collector when he wanted to demonstrate the origins of basic principles of cinematic technologies-projection, the illusion of movement, representation of space, etc.-to his students. The goal of his collection was to document such principles rather than accumulating devices. Collecting was for him a theorydriven activity, and the numerous exhibitions that he organized were structured according to the ideas that he wanted to convey. He did not, however, seek recognition from academics. He was an erudite rather than a scholar, and he expressed his media historical views in films, in exhibitions and exhibition catalogs rather than in academic books or articles.

Original languageEnglish
Title of host publicationCollecting Cinema, Rewriting Film History
Subtitle of host publicationBetween the Visible and the Invisible
EditorsAndré Habib, Louis Pelletier, Jean-Pierre Sirois-Trahan
PublisherTaylor & Francis
Pages163-172
Number of pages10
ISBN (Electronic)9781040781401
ISBN (Print)9789048565955
DOIs
Publication statusPublished - 1 Oct 2025

Bibliographical note

Publisher Copyright:
© The authors / Taylor & Francis Group 2025. All rights reserved.

Keywords

  • Cinema
  • Collection
  • Media archaeology
  • Media history
  • Teaching

Fingerprint

Dive into the research topics of 'Werner Nekes: The Filmmaker as Collector and Model'. Together they form a unique fingerprint.

Cite this