Abstract
This chapter focuses on the ‘rediscovery’ of Virgil’s tomb in the Renaissance,
exploring its position in the cultures of scholarship, travel, and leisure. Clusters
of poets’ graves sprang up around the so-called ‘tomb of Virgil’ in Piedigrotta
near Naples, re-establishing it as a site of literary succession and inspiration; the
tomb played a central role in the construction of Neapolitan urban identity and
was a popular site for early modern travel and leisure, a role it still retains today.
Generations of visitors to the tomb have felt a strong personal connection to the
poet, a connection they have chosen to mark by leaving graffiti or notes at the
tomb, by taking away laurel leaves, and by reciting and producing poetry at the
site
exploring its position in the cultures of scholarship, travel, and leisure. Clusters
of poets’ graves sprang up around the so-called ‘tomb of Virgil’ in Piedigrotta
near Naples, re-establishing it as a site of literary succession and inspiration; the
tomb played a central role in the construction of Neapolitan urban identity and
was a popular site for early modern travel and leisure, a role it still retains today.
Generations of visitors to the tomb have felt a strong personal connection to the
poet, a connection they have chosen to mark by leaving graffiti or notes at the
tomb, by taking away laurel leaves, and by reciting and producing poetry at the
site
Original language | English |
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Title of host publication | Tombs of the Poets |
Subtitle of host publication | Between Text and Material Culture |
Editors | Nora Goldschmidt, Barbara Graziosi |
Place of Publication | Oxford |
Publisher | Oxford University Press |
Chapter | 14 |
Pages | 280-297 |
Number of pages | 18 |
ISBN (Print) | 9780198826477 |
DOIs | |
Publication status | Published - 2018 |
Keywords
- Classics
- Tombs
- Virgil
- Popular Culture
- Naples
- Memorials