Abstract
This article analyzes Julio Cortázar's short story "Axolotl" from a zoopoetic perspective, exploring humananimal metamorphosis as a paradigm of zoopoetic writing. Driscoll articulates his analysis through Jacques Derrida's theories on animal thought and poetry, examining how the interspecies encounter triggers a transformation that reveals the textual nature of literature. The study examines the story's intertextual relationships and its connection to Georges Bataille's poetics, conceptualizing axolotls as "material-semiotic knots" following Donna Haraway. This establishes zoopoetics as both a mode of writing and critical reading that challenges anthropocentric interpretations and recognizes animals as cocreators of meaning.
| Translated title of the contribution | “Unpredictable kinds of ‘we’”: Julio Cortázar and the zoopoetic imagination |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 135-150 |
| Number of pages | 16 |
| Journal | AZUR |
| Volume | 7 |
| Issue number | 14 |
| Publication status | Published - 6 Jan 2026 |
Keywords
- Zoopoetics
- Julio Cortázar
- Axolotl
- Metamorphosis
- Animal studies
- Jacques Derrida
- Animalthought
- Latin American literature
- animality
- Donna Haraway
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