The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research

Wendy Wiertz

The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research

Wendy Wiertz

KU Leuven

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic › peer-review

Original language	English
Title of host publication	Art and its Responses to Changes in Society
Editors	Ines Unetič, Martin Germ, Martina Malešič, Asta Vrečko, Miha Zor
Place of Publication	Newcastle upon Tyne
Publisher	Cambridge Scholars Publishing
Pages	63-74
ISBN (Print)	9781443897082, 1443897086
Publication status	Published - 26 Aug 2016
Externally published	Yes

Keywords

amateur artists
art history
historiography

12 Abstract
12 Article
6 Chapter
2 Book
More
- 1 Poster

Adellijke amateurkunstenaressen in België tot 1850 en de tekenkunst: opleiding, praktijk en sociaal-culturele contexten
Wiertz, W., 12 Jun 2026.
Research output: Contribution to conference › Abstract › Academic
Through the needle, the pencil and the brush. Constructing an identity, networks and memories as aristocratic women amateur artists in 19th- and early 20th-century Belgium
Wiertz, W., 6 Jun 2025.
Research output: Contribution to conference › Abstract › Academic
Borduursters en hun status in Brussel, 1850-1914
Wiertz, W., 2024, In: Eigen Schoon & De Brabander. 107, 1, p. 111-128
Research output: Contribution to journal › Article › Professional
Adellijk en artistiek: Amateurkunstenaressen met blauw bloed in België (1815-1914)
Wiertz, W., 2023, Leuven: Universitaire pers Leuven. 304 p.
Research output: Book/Report › Book › Academic
Equal Opportunities for Women: Supporting Aspiring Female Artists at the Royal Academy of Fine Arts of Brussels in the Late 19th Century
Wiertz, W., 2023, Faire Oeuvre. La formation et la professionnalisation des artistes femmes aux XIXe et XXe siècles. Paris: AWARE, p. 67-77
Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic › peer-review

Cite this

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title = "The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research",

keywords = "amateur artists, art history, historiography",

author = "Wendy Wiertz",

year = "2016",

month = aug,

day = "26",

language = "English",

isbn = "9781443897082",

pages = "63--74",

editor = "Ines Uneti{\v c} and Martin Germ and Martina Male{\v s}i{\v c} and Asta Vre{\v c}ko and Miha Zor",

booktitle = "Art and its Responses to Changes in Society",

publisher = "Cambridge Scholars Publishing",

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The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research. / Wiertz, Wendy.
Art and its Responses to Changes in Society. ed. / Ines Unetič; Martin Germ; Martina Malešič; Asta Vrečko; Miha Zor. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016. p. 63-74.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic › peer-review

TY - CHAP

T1 - The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research

AU - Wiertz, Wendy

PY - 2016/8/26

Y1 - 2016/8/26

KW - amateur artists

KW - art history

KW - historiography

M3 - Chapter

SN - 9781443897082

SN - 1443897086

SP - 63

EP - 74

BT - Art and its Responses to Changes in Society

A2 - Unetič, Ines

A2 - Germ, Martin

A2 - Malešič, Martina

A2 - Vrečko, Asta

A2 - Zor, Miha

PB - Cambridge Scholars Publishing

CY - Newcastle upon Tyne

ER -

The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research

Keywords

Research output

Adellijke amateurkunstenaressen in België tot 1850 en de tekenkunst: opleiding, praktijk en sociaal-culturele contexten

Through the needle, the pencil and the brush. Constructing an identity, networks and memories as aristocratic women amateur artists in 19th- and early 20th-century Belgium

Borduursters en hun status in Brussel, 1850-1914

Adellijk en artistiek: Amateurkunstenaressen met blauw bloed in België (1815-1914)

Equal Opportunities for Women: Supporting Aspiring Female Artists at the Royal Academy of Fine Arts of Brussels in the Late 19th Century

Cite this