Abstract
This chapter investigates the intersections of knowledge, politics, and feminist epistemology through Virginia Woolf’s seminal works A Room of One’s Own and Three Guineas. Woolf’s reflections on women, writing, and fiction illustrate the historical exclusion of women from knowledge production, revealing their status as ‘objects’ of knowledge rather than active subjects of intellectual enquiry. The chapter, then, situates Woolf’s feminist critique within a broader geopolitical and sociopolitical context, addressing colonialism, power structures, and the patriarchal underpinnings of ‘universal’ knowledge. Engaging with critical thinkers from poststructuralist and anti-colonial traditions and zooming in on feminist scholars such as Sandra Harding and Donna Haraway, the chapter highlights how standpoint theory and situated knowledges challenge the neutrality of traditional epistemologies. These feminist frameworks underline the entanglement of knowledge with power and advocate a ‘strong objectivity’ accountable to different subject positions. Woolf’s provocative call ‘Think we must!' inspires the ongoing feminist pursuit of truths and methods that resist exclusionary practices. The chapter emphasises the critical potential of feminist epistemologies to transform entrenched power dynamics, positioning knowledge as a dynamic, situated, and collective practice of wor(l)ding.
| Original language | English |
|---|---|
| Title of host publication | Doing Gender in Media, Art, and Culture |
| Subtitle of host publication | A Contemporary Guide to Gender Studies: Third Edition |
| Editors | Rosemarie Buikema, Liedeke Plate, Kathrin Thiele |
| Publisher | Taylor and Francis |
| Pages | 26-42 |
| Number of pages | 17 |
| Edition | 3rd |
| ISBN (Electronic) | 9781040488430 |
| ISBN (Print) | 9781032442921 |
| DOIs | |
| Publication status | Published - 30 Apr 2026 |
Bibliographical note
Publisher Copyright:© 2026 selection and editorial matter, Rosemarie Buikema, Liedeke Plate, and Kathrin Thiele; individual chapters, the contributors.
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