Abstract
In the introduction to this special issue I investigate the feasibility of a material turn in comparative literature. I approach this turn in the sense of the Greek kronos: as a circular, not linear, movement. I propose that this material turn has materialized in the practice and criticism of artists’ books; the study of comparative textual media; research in avant-garde poetry; and a line of criticism incorporating memory studies and book as well as paper history. Through an intermedial analysis of Roland Barthes’s “The Death of the Author,” I show that the material turn in comparative literature emerges out of—rather than against—what is perceived to be its oppositional figure: poststructuralist thought and the linguistic turn. This insight urges us to reconsider the material turn not as a new development in the history of the humanities, but as a set of ongoing concerns, insights, and methods across time.
| Original language | English |
|---|---|
| Pages (from-to) | 247-263 |
| Number of pages | 17 |
| Journal | Comparative Literature |
| Volume | 70 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - Sept 2018 |
Keywords
- materiality
- intermediality
- agency
- affect
- Roland Barthes
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