The Legacy of Willem Beurs ‒ Bridging the Gap between Art and Material Perception

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Abstract

Dutch Golden Age painters could convincingly depict all sorts of materials. How did they do it and how do we perceive them as such, are questions that only recently have started to be addressed by art historians and vision scientists, respectively. This paper aims to discuss how a booklet of pictorial recipes written by the Dutch painter Willem Beurs in 1692 constitutes an index of key image features for material depiction and perception. Beurs' recipes connect different materials according to their shared visual features, and offer the profiles, i.e., the optimal combinations, of these features to render a wide range of materials. By combining representation and perception, the knowledge of painters about the depiction of materials can help to understand the mechanisms of the visual system for material perception, and these in turn can explain the pictorial features that make the pictorial representation of materials so convincing.

Original languageEnglish
Pages (from-to)111–136
Number of pages26
JournalArt & perception
Volume10
Issue number2
DOIs
Publication statusPublished - 23 Feb 2022

Keywords

  • Art and perception
  • Willem Beurs
  • material depiction
  • material perception
  • pictorial cues
  • seventeenth-century paintings

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