Abstract
Around 1900, a shift in the understanding of the extraordinary human body occurred in the western world. The understanding of physically different humans beings, such as people born with additional or fewer limbs, Siamese twins or uncommon skin surface slowly shifted from a sensational stare on the so-called “freak” to a medical case. New insights into genetics enabled medial specialist (to some degree) to explain and control extraordinary human body shapes by “treating” the difference in the name of technological or medical progress, while humans with extraordinary bodies were part of attractional display wide into the twentieth century.
Through a comparative case study of mass-produced cabinet cards, lantern slide sets and films of early cinema, we will show how visual strategies and media practices added different meaning to the extraordinary human body.
Through a comparative case study of mass-produced cabinet cards, lantern slide sets and films of early cinema, we will show how visual strategies and media practices added different meaning to the extraordinary human body.
| Original language | English |
|---|---|
| Publication status | Published - Jun 2016 |
| Event | 14th International Domitor Conference: Viscera, Skin, and Physical Form: Corporeality and Early Cinema - Film House (Filmhuset) at The Swedish Film Institute (Svenska Filminstitutet) , Stockholm, Sweden Duration: 14 Jun 2016 → 17 Jun 2016 Conference number: 14 http://domitor.org/ |
Conference
| Conference | 14th International Domitor Conference |
|---|---|
| Abbreviated title | 14th International Domitor Conference |
| Country/Territory | Sweden |
| City | Stockholm |
| Period | 14/06/16 → 17/06/16 |
| Internet address |
Keywords
- early cinema
- visual culture
- Disability
- freak show
- lantern slides
- cabinet cards
Fingerprint
Dive into the research topics of 'The Extraordinary Body: From Spectacle to Medical Case'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver