The dystopian impulse in prog: Cross-cutting thread/ts in dystopian concept albums

Marcel Bouvrie*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapterAcademicpeer-review

Abstract

Dystopia is a widely used imaginative expression of concerns and anxieties over societal trends and tendencies. In much of the artistic output throughout the history of progressive rock, bands and artists have utilized dystopian representations to express their societal concerns and warnings. This chapter presents an analytical and interpretative framework to understand the dystopian impulse in prog. By analyzing the stylistic, thematic, and narratological elements that make up the material content of dystopian concept albums, this study offers three interwoven interpretative threads of dystopia: (i) the political thread, in which Dream Theater's The Astonishing (2016) is the subject of analysis; (ii) the sociocultural thread, of which Porcupine Tree's Fear of a Blank Planet (2007) is a crucial example; and (iii) the technological thread, which is well represented by The Alan Parsons Project's I Robot (1977). This chapter examines how the analytic elements intersect with the interpretive threads in these concept albums.

Original languageEnglish
Title of host publicationThe Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination
PublisherTaylor and Francis
Pages81-91
Number of pages11
ISBN (Electronic)9781003320432
ISBN (Print)9781032340739
DOIs
Publication statusPublished - 26 Feb 2025

Bibliographical note

Publisher Copyright:
© 2025 selection and editorial matter, Chris Anderton and Lori Burns. All rights reserved.

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