Social Media in the Nineteenth Century: Friendships, Feelings and Ambitions in the Albums of Upper-Class Women in Belgium

Research output: Contribution to journalArticleAcademicpeer-review

Abstract

In this article, I investigate the correlation between albums as collectors of memory and records of friendships on the one hand and the construction of the album-maker’s identity on the other hand. A focus on the contents and the function of albums in combination with a survey of archival sources and recent literature reveals how this social medium served the albums’ makers from their youth onwards. In particular I concentrate on how friendships forged for life were visualized during adolescence, how feelings were channelled through drawings and watercolours, and how personal ambitions were expressed on the album pages. In addition, I examine how albums were used by the album makers’ descendants, who continued adding new layers of meaning. In my research, I make use of albums produced by aristocratic women in the nineteenth and early twentieth centuries, most of them preserved in private collections in Belgium.
Original languageEnglish
Pages (from-to)125-149
JournalBelgisch Tijdschrift voor Oudheidkunde en Kunstgeschiedenis/ Revue belge d’Archéologie et d’Histoire de l’Art
Volume91
Publication statusPublished - Oct 2022
Externally publishedYes

Keywords

  • identity
  • nobility
  • art history
  • modern history
  • nineteenth century
  • 19th century
  • Belgium

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