Abstract
This essay conducts a zoopoetic reading of Rainer Maria Rilke’s iconic poem “Der Panther.” It proceeds in three stages: first, I show how the text itself is zoopoetic,
that is, projects a model of poiesis that proceeds via embodied animality. Second, I show how it implicates the reader in the zoopoetic process. In this way zoopoetics becomes not only a mode of artistic production but also one of reception. Finally, I reflect on what it means to read zoopoetically in the age of the Anthropocene.
that is, projects a model of poiesis that proceeds via embodied animality. Second, I show how it implicates the reader in the zoopoetic process. In this way zoopoetics becomes not only a mode of artistic production but also one of reception. Finally, I reflect on what it means to read zoopoetically in the age of the Anthropocene.
| Original language | English |
|---|---|
| Pages (from-to) | 29-47 |
| Number of pages | 19 |
| Journal | Frame: Tijdschrift voor Literatuurwetenschap |
| Volume | 31 |
| Issue number | 1 |
| Publication status | Published - 2018 |
Keywords
- zoopoetics
- Rainer Maria Rilke
- zoos
- animal studies
- Anthropocene
- J.M. Coetzee
- Jacques Derrida
- Rosi Braidotti