Abstract
The Haarlem school of painting is considered to be an archetype of the Dutch
Golden Age, whereby a quintessential Dutchness is said to emanate from its famous
landscape and genre paintings. In our contribution, we wish to challenge this
perceived autonomy by taking stock of the artistic exchanges which took place
between Haarlem and Antwerp during the first decades of the seventeenth century.
A seminal example of this cross-fertilization occurred between Rubens and
Goltzius. Cultural transmission thus took place in both directions: from Antwerp
to Haarlem, and vice versa.
Original language | Undefined/Unknown |
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Pages (from-to) | 138-160 |
Number of pages | 23 |
Journal | De zeventiende eeuw |
Volume | 28 |
Issue number | 2 |
Publication status | Published - 2012 |
Keywords
- Specialized histories (international relations, law)
- Literary theory, analysis and criticism
- Culturele activiteiten
- Overig maatschappelijk onderzoek