Abstract
Examining nonfiction remix demonstrates fandom's role in helping maintain a lively public engagement with history. By rewriting and remixing the life of Alexander Hamilton, the AIDS epidemic, and the African American civil rights movement, professional and amateur artists create a living "history of the present," excavate the genealogy of modern problems, and intervene in contemporary political storytelling by writing a new version of the foundational national past. As a result, transmedia with roots in the public domain offers an important curb against the encroaching media industry and facilitates folk creativity and civic interchange in a shared symbolic language.
| Original language | English |
|---|---|
| Pages (from-to) | 140-160 |
| Number of pages | 21 |
| Journal | Narrative Culture |
| Volume | 6 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being
Keywords
- public history
- Hamilton
- American Revolution
- American Culture
- popular culture
- civil rights
- participatory culture
- race
- gender
- sexuality
- AIDS
- HIV
- LGBTQ
- fan studies
- fan culture
- fan fiction
- fan vids
- remix
- spreadability
- social media
- storytelling
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