@inbook{590c2494c0b14ca984a184af5d4d0317,
title = "{\textquoteright}Rendre r{\'e}el aux yeux du public{\textquoteleft}: Stage Craft, Film Tricks, and the F{\'e}erie",
abstract = "In this chapter, Kessler and Lenk provide a study on the role of tricks and effects for the French stage and film genre of f{\'e}erie, which flourished throughout the nineteenth century and in the first decade of the twentieth century. Using the concept of dispositif as their theoretical framework, they offer an analysis of the f{\'e}erie genre{\textquoteright}s general characteristics. In a following step, they discuss the theoretical status of stage craft and tricks and the way in which they function as a central element of the genre. In the final part of the chapter, Kessler and Lenk present two examples, one from a stage f{\'e}erie and one from a film, to illustrate the productivity of their media archaeological perspective.",
author = "F.E. Kessler and S. Lenk",
year = "2019",
doi = "10.1007/978-3-319-99576-2_3",
language = "English",
isbn = "978-3-319-99575-5",
series = "Avant-Gardes in Performance",
publisher = "Palgrave Macmillan",
pages = "83--98",
editor = "Nele Wynants",
booktitle = "Media Archaeology and Intermedial Performance",
address = "United Kingdom",
}