Abstract
When linear television enters the archive, its temporal context tends to become obscured. Based on Dutch TV news, we propose three easy-to-use methods for recapturing this context: visualizing repetitive imagery through screenshots; colour coding the relationship between archived broadcasts and broadcast schedules as printed in newspapers; and colour-coding segments in archival speech transcripts. Together, these methods show how archived television can be understood as the epitome of a ‘recombinatory practice’ (Uricchio, 2011), mixing flow, segmentation, and repetition with archival reordering, while also emphasizing the need for broader access to that same temporal context.
| Original language | English |
|---|---|
| Journal | Critical Studies in Television |
| DOIs | |
| Publication status | E-pub ahead of print - 21 Feb 2026 |
Bibliographical note
Publisher Copyright:© The Author(s) 2026. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).
Funding
The authors disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: The research has been conducted as part of the projects Re-Frame (Click-NL ppp programme and the Netherlands Institute for Sound and Vision) and NWO CLARIAH-PLUS (Grant 184.034.023).
| Funders | Funder number |
|---|---|
| Netherlands Institute for Sound and Vision | |
| Nederlandse Organisatie voor Wetenschappelijk Onderzoek | 184.034.023 |
Keywords
- Digital archives
- flow
- methodology
- television
- TV news
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