Abstract
the fi rst decades of the twentieth century, Otto Neurath and Gerd Arntz invented the
‘ Vienna Method of Pictorial Statistics ’ (Wiener Bildstatistik). The method was renamed in the
late 1930s as ISOTYPE ― ‘ I(nternational) S(ystem) O(f) TY(pographic) P(icture) E(ducation) ’ ― and
was used in the 1940s and 50s in the Netherlands, Great Britain, Greece, the USA and the
USSR. In this article, we explain the origins and basics of the Vienna Method/ISOTYPE, stressing
Neurath’s aim of clarifying developments in society by means of pictorial statistics and of
raising the awareness of the uneducated by displaying these pictorial statistics in a museumlike
setting. In this educational aspect, the ISOTYPE philosophy can be linked to the Vienna
Circle (Wiener Kreis) and the International Unity of Science movement. It is noted that while
the concept of ISOTYPE retained its infl uence in the world of art and design, it completely lost
its impact on statistical graphics during the second half of the twentieth century. Several explanations
for the curtailment of ISOTYPE’s infl uence in statistics are given.
| Original language | Undefined/Unknown |
|---|---|
| Pages (from-to) | 227-242 |
| Number of pages | 16 |
| Journal | Journal of Design History |
| Volume | 22 |
| Issue number | 3 |
| Publication status | Published - 2009 |
Keywords
- Sociaal-culturele Wetenschappen (SOWE)