Navigating Interactive Story Spaces: The Architecture of Interactive Narratives in Online Journalism

Renée Van der Nat*, E. Müller, Piet Bakker

*Corresponding author for this work

Research output: Contribution to journalArticleAcademicpeer-review

Abstract

Over the past decade, journalists have created in-depth interactive narratives to provide an alternative to the relentless 24- hour news cycle. Combining different media forms, such as text, audio, video, and data visualisation with the interactive possibilities of digital media, these narratives involve users in the narrative in new ways. In journalism studies, the convergence of different media forms in this manner has gained significant attention. However, interactivity as part of this form has been left underappreciated. In this study, we scrutinise how navigational structure, expressed as navigational cues, shapes user agency in
their individual explorations of the narrative. By approaching interactive narratives as story spaces with unique interactive architectures, in this article, we reconstruct the architecture of five Dutch interactive narratives using the walkthrough method. We find that the extensiveness of the interactive architectures can be described on a continuum between closed and open navigational structures that predetermine and thus shape users’ trajectories in
diverse ways.
Original languageEnglish
Pages (from-to)1104-1129
Number of pages26
JournalDigital Journalism
Volume11
Issue number6
Early online date31 Aug 2021
DOIs
Publication statusPublished - 2023

Bibliographical note

Publisher Copyright:
© 2021 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.

Keywords

  • Interactive narrative
  • architecture of interaction
  • digital longform journalism
  • multimodality
  • narrative space
  • user agency

Fingerprint

Dive into the research topics of 'Navigating Interactive Story Spaces: The Architecture of Interactive Narratives in Online Journalism'. Together they form a unique fingerprint.

Cite this