Musical negotiations of a ‘moderate’ versus a ‘radical’ Islam in Morocco: dissonance and the sonic among vocal performers of Islam-inspired music

N. ter Laan

Research output: Contribution to journalArticleAcademicpeer-review

Abstract

This article explores how in Morocco, music is used to construct and subvert discourses on a ‘moderate’ vs. a ‘radical’ Islam. I focus on experiences and practices of vocal performers of Islam-inspired music, who operate in two different musical domains: state-sponsored stages for Sufi music, and non-state-sponsored stages for anashid – acapella Islamic songs, generally associated with more orthodox interpretations of Islam. Based on extensive ethnographic fieldwork among these artists, I analyze how the Moroccan response to the War on Terror, and concomitant perceptions of ‘radical’ versus ‘moderate’ Islam, affect the ways in which they present themselves and their music. I propose the notion of ‘dissonance’ to demonstrate how the artists’ musical practices, as well as their narratives of performance, ethics, and emotions converge with, yet simultaneously also rub against state discourses on a ‘moderate’ vs. a ‘radical’ Islam.

Original languageEnglish
Pages (from-to)214-236
Number of pages23
JournalReligion
Volume51
Issue number2
Early online dateJan 2021
DOIs
Publication statusPublished - 2021

Keywords

  • Islam
  • Morocco
  • dissonance
  • music
  • religious politics

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