Abstract
This short article reflects on short videos of action cam footage that are widely
disseminated on online platforms. These first-person perspective shorts are compared to early cinema’s phantom rides in the use of point-of-view shots, and a dizzying effect of heightened mobility and versatility in camera movements. ‘Short’ in form and duration, highly individual and personal, and with minimal (DIY) editing, these moving-image, navigational ‘selfies’ are exemplary for the aesthetics of social media and online video sharing platforms. Considering the distinction Michel de Certeau’s has made between (abstract) maps and (personalized) tours, I explore the way in which these images construct a form of moving-image cartography – a firstperson cartography that fits today’s pervasive visual trope of navigation.
disseminated on online platforms. These first-person perspective shorts are compared to early cinema’s phantom rides in the use of point-of-view shots, and a dizzying effect of heightened mobility and versatility in camera movements. ‘Short’ in form and duration, highly individual and personal, and with minimal (DIY) editing, these moving-image, navigational ‘selfies’ are exemplary for the aesthetics of social media and online video sharing platforms. Considering the distinction Michel de Certeau’s has made between (abstract) maps and (personalized) tours, I explore the way in which these images construct a form of moving-image cartography – a firstperson cartography that fits today’s pervasive visual trope of navigation.
| Original language | English |
|---|---|
| Pages (from-to) | 103-109 |
| Number of pages | 8 |
| Journal | Empedocles: European Journal for the Philosophy of Communication |
| Volume | 5 |
| Issue number | 1&2 |
| DOIs | |
| Publication status | Published - Jan 2015 |
Keywords
- video footage
- POV/action cameras
- mobile interfaces
- cartography
- navigation
- video sharing