TY - JOUR
T1 - DystopiAbramović
T2 - Marina Abramović: In Residence: Sydney 2015
AU - Eades, Quinn
AU - Poletti, A.L.
PY - 2018
Y1 - 2018
N2 - “DystopiAbramović” responds to a performance initiated by Marina Abramović using bodies of the public in silent performance. We trace the haunting of that performance by forms of collective embodiment that characterize Australia's political reality: carceral immigration policies, the Royal Commission into Institutional Responses to Child Sexual Abuse, Australia as a refuge for Jews fleeing Europe, and late capitalism.
AB - “DystopiAbramović” responds to a performance initiated by Marina Abramović using bodies of the public in silent performance. We trace the haunting of that performance by forms of collective embodiment that characterize Australia's political reality: carceral immigration policies, the Royal Commission into Institutional Responses to Child Sexual Abuse, Australia as a refuge for Jews fleeing Europe, and late capitalism.
U2 - 10.1080/08989575.2018.1445502
DO - 10.1080/08989575.2018.1445502
M3 - Book/Film/Article review
SN - 0898-9575
VL - 33
SP - 279
EP - 284
JO - a/b: Auto/Biography Studies
JF - a/b: Auto/Biography Studies
IS - 2
ER -