Abstract
Digital technology has profoundly reconfigured state-society relations and Cuba’s recent broadening of internet access makes for a fascinating case in this regard. However, what this means for the country’s music sector is poorly researched. We explore the role digital media plays in the empowerment of Cuban musicians. While digital media allows musicians to work more independently from government institutions, the ability to benefit from the op-portunity depends on unequally distributed resources. Nonetheless, the government’s broad-ening of internet access goes hand in hand with increasing control over musicians’ autono-my and expression, leading to a cycle of protest and repression. Digital media provides a highly self-reinforcing tool for collective action.
Original language | English |
---|---|
Pages (from-to) | 63-87 |
Number of pages | 25 |
Journal | European Review of Latin American and Caribbean Studies |
Volume | 113 |
DOIs | |
Publication status | Published - Jan 2022 |
Bibliographical note
Publisher Copyright:© 2022 Centre for Latin American Research and Documentation/Centro de Estudios y Documentación Latinoamericanos (CEDLA). All rights reserved.
Keywords
- Cuba.
- Digital media
- empowerment
- mu-sic
- technology