Abstract
This article investigates the vast corpus of approximately 100,000 songs produced
in the Low Countries between 1500-1800 from a new angle, taking knowledge
production as its point of departure. Can the seemingly endless representations of
scenes of daily life we find in these songs be regarded as stimuli for the development of ‘know how’ (expertise), and what were the dynamics between the book market, songs, and the production of knowledge? This last question is addressed using the approximately 44,000 songs for the young as a case study.
in the Low Countries between 1500-1800 from a new angle, taking knowledge
production as its point of departure. Can the seemingly endless representations of
scenes of daily life we find in these songs be regarded as stimuli for the development of ‘know how’ (expertise), and what were the dynamics between the book market, songs, and the production of knowledge? This last question is addressed using the approximately 44,000 songs for the young as a case study.
| Original language | English |
|---|---|
| Pages (from-to) | 147-167 |
| Number of pages | 20 |
| Journal | De zeventiende eeuw |
| Volume | 30 |
| Issue number | 2 |
| Publication status | Published - 2014 |
Keywords
- song culture
- knowledge production
- know how
- youth culture