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Care and alterity in robotic art: Mise-en-scène and narratives as framing strategies for human-robot encounters

Research output: Contribution to journalArticleAcademicpeer-review

Abstract

Robotic art provides a compelling lens through which to examine the design of human-robot encounters in theatrical contexts, offering insights that can inform our imaginaries of human – machine interactions and inspire HRI design beyond the stage. The robotic artworks addressed in this article adopt a relational approach, carefully curating multiple elements to guide interpretations of robotic behaviour and invite specific forms of interaction. Central to this are framing strategies involving mise-en-scène and narratives, which often cast non-humanlike machines as vulnerable figures, prompting considerations of care in human – robot relations. At the same time, robotic artworks resist familiarization, emphasizing the robot’s alterity through non-anthropomorphic forms and ambiguous, sometimes threatening behaviours. Through its use of framing strategies, robotic art offers valuable perspectives on how theatrical tools like narratives and mise-en-scène can shape our perceptions of robots and inform relational approaches for designing interactions outside of the theatre space.
Original languageEnglish
JournalInternational Journal of Performance Arts and Digital Media
DOIs
Publication statusE-pub ahead of print - 13 Feb 2026

Bibliographical note

Publisher Copyright:
© 2026 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.

Funding

This research is part of the project ‘Acting like a Robot. Theatre as Testbed for the Robot Revolution’, funded by NWO – Creative Industries: Smart Culture – Arts and Culture, GW.000885.2. Special thanks to Bill Vorn, Bram Ellens and Ugo Dehaes for allowing me to use pictures of their artworks in this article.

Funders
NWO

    Keywords

    • Mise-en-scène
    • Robotic art
    • alterity
    • care
    • framing
    • narratives

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