Abstract
Robotic art provides a compelling lens through which to examine the design of human-robot encounters in theatrical contexts, offering insights that can inform our imaginaries of human – machine interactions and inspire HRI design beyond the stage. The robotic artworks addressed in this article adopt a relational approach, carefully curating multiple elements to guide interpretations of robotic behaviour and invite specific forms of interaction. Central to this are framing strategies involving mise-en-scène and narratives, which often cast non-humanlike machines as vulnerable figures, prompting considerations of care in human – robot relations. At the same time, robotic artworks resist familiarization, emphasizing the robot’s alterity through non-anthropomorphic forms and ambiguous, sometimes threatening behaviours. Through its use of framing strategies, robotic art offers valuable perspectives on how theatrical tools like narratives and mise-en-scène can shape our perceptions of robots and inform relational approaches for designing interactions outside of the theatre space.
| Original language | English |
|---|---|
| Journal | International Journal of Performance Arts and Digital Media |
| DOIs | |
| Publication status | E-pub ahead of print - 13 Feb 2026 |
Bibliographical note
Publisher Copyright:© 2026 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
Funding
This research is part of the project ‘Acting like a Robot. Theatre as Testbed for the Robot Revolution’, funded by NWO – Creative Industries: Smart Culture – Arts and Culture, GW.000885.2. Special thanks to Bill Vorn, Bram Ellens and Ugo Dehaes for allowing me to use pictures of their artworks in this article.
| Funders |
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| NWO |
Keywords
- Mise-en-scène
- Robotic art
- alterity
- care
- framing
- narratives
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