Abstract
How do the choices made by film archivists and restorers impact the way films
are presented? How do digital copies of films relate to the “original” film copies? What are the pros and cons of celluloid in this era of digitization, from
the perspective of film restoration and preservation? Interviewed by Peter
Verstraten, Giovanna Fossati discusses the legibility of analog films, with their
relatively long life expectancy versus the legibility of digital formats with their
rapid obsolescence rate. The authors also discuss the flexibility of digital technology in approximating the look of obsolete film techniques (e.g. color in early cinema), the importance of keeping the analog film tradition alive, and the
need for a long-term preservation strategy for digital films.
are presented? How do digital copies of films relate to the “original” film copies? What are the pros and cons of celluloid in this era of digitization, from
the perspective of film restoration and preservation? Interviewed by Peter
Verstraten, Giovanna Fossati discusses the legibility of analog films, with their
relatively long life expectancy versus the legibility of digital formats with their
rapid obsolescence rate. The authors also discuss the flexibility of digital technology in approximating the look of obsolete film techniques (e.g. color in early cinema), the importance of keeping the analog film tradition alive, and the
need for a long-term preservation strategy for digital films.
| Original language | English |
|---|---|
| Title of host publication | Legibility in the Age of Signs and Machines |
| Publisher | Brill |
| Chapter | 12 |
| Pages | 199–211 |
| ISBN (Print) | 9789004376175, 9789004375482 |
| DOIs | |
| Publication status | Published - 2018 |
| Externally published | Yes |
