Abstract
This article explores the aesthetic elements of sovereignty. Building on the anthropological literature on sovereignty and on contemporary work on the politics of aesthetics, the article analyzes contemporary appearances of Batman symbols and figures in Rio de Janeiro. Despite political debate and academic discussion about the Batmen appearing in mafia-like militias and popular street protests in Rio, the question of what these appearances tell us about the relations between popular imagery and political contestation has remained untouched. This article supports the work of writers who argue that superhero comics and movies present fierce figures that operate in the zone of indistinction, at the crossroads of lawful order and its exception. However, it adds to this literature an analysis that shows in what kind of sociopolitical contexts these figures operate and how that plays itself out. To understand the contemporary appearances and force of fi gures of the entertainment industry better, this article proposes the concept “popular culture of sovereignty.”
| Original language | English |
|---|---|
| Pages (from-to) | 197–215 |
| Number of pages | 19 |
| Journal | Conflict and Society: Advances in Research |
| Volume | 1 |
| Issue number | 1 |
| Publication status | Published - 2015 |