Automatic Analysis of Human Body Representations in Western Art

Shu Zhao, A.A. Akdağ Salah, Albert Salah*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingConference contributionAcademicpeer-review

Abstract

The way the human body is depicted in classical and modern paintings is relevant for art historical analyses. Each artist has certain themes and concerns, resulting in different poses being used more heavily than others. In this paper, we propose a computer vision pipeline to analyse human pose and representations in paintings, which can be used for specific artists or periods. Specifically, we combine two pose estimation approaches (OpenPose and DensePose, respectively) and introduce methods to deal with occlusion and perspective issues. For normalisation, we map the detected poses and contours to Leonardo da Vinci's Vitruvian Man, the classical depiction of body proportions. We propose a visualisation approach for illustrating the articulation of joints in a set of paintings. Combined with a hierarchical clustering of poses, our approach reveals common and uncommon poses used by artists. Our approach improves over purely skeleton based analyses of human body in paintings.
Original languageEnglish
Title of host publicationComputer Vision – ECCV 2022 Workshops
Subtitle of host publicationTel Aviv, Israel, October 23–27, 2022, Proceedings, Part I
EditorsLeonid Karlinsky, Tomer Michaeli, Ko Nishino
Place of PublicationCham
PublisherSpringer
Pages282–297
Number of pages16
Edition1
ISBN (Electronic)978-3-031-25056-9
ISBN (Print)978-3-031-25055-2
DOIs
Publication statusPublished - 15 Feb 2023

Publication series

NameLecture Notes in Computer Science
PublisherSpringer
Volume13801
ISSN (Print)0302-9743
ISSN (Electronic)1611-3349

Bibliographical note

Publisher Copyright:
© 2023, The Author(s), under exclusive license to Springer Nature Switzerland AG.

Keywords

  • Hierarchical clustering
  • Human pose estimation
  • Painting analysis

Fingerprint

Dive into the research topics of 'Automatic Analysis of Human Body Representations in Western Art'. Together they form a unique fingerprint.

Cite this